Installing Marble Sculptures, Part III

They picked up the marble sculpture and plaster carver’s model from the US Customs inspection office in New York, trucked it down to Potomac, placed the stone and finished the job by dinner time. These big events tend to build in your mind and then they happen. Just like that, they happen on an ordinary day. A Thursday, for example.

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Installing Marble Sculptures, Part II

Sure, I designed the sculpture and sculpted it, but without the help of several models, the mold-maker and enlarger, Malcolm the stone-carver and his crew, and Andrew and the crew at Canal Street Studios, and not to mention the generous donor who has been gracious enough to give such a lasting gift to the church- none of this would have happened.

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Installing Marble Sculptures

How many people does it take to move a two-ton sculpture of the Blessed Virgin out of the studio, onto a truck, drive sixty-five miles down the road and into a niche in a church? We had quite a crew out there!

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The Story of Hempel Studios, Part IV

For the people who visit Our Lady of Mercy, the sculptures point us to the Divine. The Stations of the Cross illustrate the Passion. They don’t merely retell an historical event but attempt to uncover some of the deeper spiritual truths. The Virgin Mary is celebrated as the mother of God but also as a woman whose act of faith changed the world. Her husband, St. Joseph, stands as a reminder to fathers and husbands of the important role that God has for them.

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The Story of Hempel Studios, Part III

In my image, St. Joseph sits in his workshop with his carpenter’s angle in one hand dropping into his lap. A hammer and nails on the floor remind us of Christ’s passion. Joseph has just heard word from the angel in his dream about Jesus, and he stares into his hand, “Me, a father? The Son of God?!”

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How to Commission a Sculpture

Have you imagined commissioning a sculpture?

Let’s say your family, a church, or organization wants to commission of a work of sculpture, but you have no idea where to begin or how to proceed. Here I will describe the process that I use in my studio.

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Our Lady of Mercy and Sargent Shriver

I worked for Our Lady of Mercy Parish for nearly seven years, first on the Stations of the Cross, then on St. Joseph and the Virgin Annunciate. In some ways, that church feels like home to me. The folks on the liturgical arts committee were welcomed faces every time I brought in a design for…

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The Armature

The arts committee and parish priest at the St. Elizabeth Ann Seton have given me the green light to proceed with the enlargement of the four sculptures. The studio space conundrum has gotten in the way of my progress, but I have been encouraged by my ever-gracious and supportive husband to start anyway. Or in…

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